Projects

The Habitual Landscape 

Our lives connected to the spaces that we in interact with on a day to day basis, local spaces from where you live to where you shop, to where you play. Where you sleep and where you rest. 

2016-17

Instant Gratification: Brighton Beach

Sun and sea, no sand but maybe some sexy undies! Brighton beach captured in all its vibrant glory.

2017

Woods and Ancient Woods

I am photographing local places and through routes for shoppers, places for dog walkers and teenage night drinking. They are the closest bit of nature for many but with no walking boots or Gore-Tex in sight. Signs of modern life are present in discarded detritus along well-used pathways but patches of thick undergrowth deter further invasion. There is tension between the encroaching forces of nature and man into each other’s territories. The sounds of the school and the motorway clamor for attention as well as warbling birds. A council recycling area, a cricket green, a golf course, and an area used for fly tipping.

Trees have roots that connect us to those who have walked by them and to those who planted them. The forest is the primal birthplace of nations, trees the material for the beginning of habitation. Our identity is created and shaped by our connection to the natural world around us, something that gets missed, forgotten in today's digital, disposable culture.

Enchanted forests play a role in many ancient myths and folktales and in modern fantasies from wild and dangerous parts of Oz in The Wonderful Wizard of Oz by L. Frank Baum, to forests representing enchantment and the ancientness of the world in the books of J.R.R. Tolkien.

Our woodlands have been evolving since the end of the last glaciation around 10,000 years ago, and represent one of our most important habitats for wildlife. Woodlands in Great Britain amount to about 5,000,000 acres, about 1.25% of the British Isles. A small amount of land percentage wise comprises a very high proportion of our richest wildlife habitats.

Each one of these woods and ancient woods has its own particular significance, and collectively they enable us to understand the complex relationships of nature between soil, climate and vegetation. They also demonstrate the pervasive influence of man upon nature over centuries.

2015-17

Eat As Much As You Like

Food Glorious food, all you can eat, as much as you like, more more more.

A small project in reaction to some of the shop windows of Soho.

2015

Devils Dyke

A walk in the country documented.

2014

The Garden, The Field, And the Pond

A stepping out into nature, from the tamed and gentle garden towards a rural ideal. The garden tended and maintained where the family sit and play. The field a halfway point in use and concept, half mown half wild, a space for large parties and areas where children hide and play. The pond, hidden through a tunnel of trees, the furthest away from the house, an idealised rural hideaway.

2012

Common Places

An Exploration

It started with a question mark, a second look at the landscape followed by a personal dialogue with it. It is a landscape that I am familiar with and the conversation concerns how we perceive the world around us. The landscape around us is as much a fantasy and a fiction as it is actually experienced. This is the suburban green belt dream.

The romantic style of landscape still aspired to, harking back to a time before, taught us how to design magnificent outdoor spaces as well as the smallest family garden. It taught us how to achieve beauty with the simplest and commonest of means: the landforms and vegetation everywhere surrounding us. But has it brought us closer to nature?

Common Places is an exploration of everyday spaces, car parks, roads, recreation grounds, gardens; some areas we inhabit. Here are the lamp standards, park benches, dog waste bins, fences, radio masts, bollards, signs and other street furniture. A tour unfolds of modern monuments to our present culture that amount to a pattern of tokens and traces.

2009

Into The Woods

An area of fantasy and warfare, a paintball site. Into the woods adults go and play, enacting an exhilarating fantasy of violence, tactics and strategies. Deep in the woods, an area associated in childhood fairy tales as a site of change, outside of normal rules and everyday life, men and women play at war. I am documenting the theatrical arenas, where teams battle in a survival of the fittest.

The paintball company manages the land, creates the combat zones and leads the games; For one day, with a real natural environment, not a video game, the players have a first hand experience of their own basic instincts for hunting, warfare and survival instincts, usually suppressed or reshaped in their daily life within a rigid societal structure.

2009

Night

These images are all taken at night or dusk looking at places people walk past on the way home from work. People hurry through the streets past these dark corners of the city which some may find intimidating, rushing home to the warmth of their houses where they spend the night in safety.

I stop and look at spaces, which are quiet, and of no real importance. Spot lit by street lamps shrouded in darkness. I look at the beauty in the everyday environment, pausing to contemplate the corners of the world, which despite their beauty remain unnoticed.

I feel like I am collecting these places. Areas people do not often look at day to day. They do not seem to have much significance during the day, but at night they take on a different feeling, it is like time stands still, it is silent and deserted.

A contemplative mood takes over these places, the same night after night, something predictable about it. Clues are found to tell us about the people who inhabit the areas, but not in straightforward ways. Traces of our past kept secret from us, retained in dark hidden places waiting to be discovered.

2002

Lewes Chalk Pit

A project documenting a disused Chalk Pit in Lewes East Sussex. 

2002